Inspirative Images with Red in Photography

Facebook
Twitter
LinkedIn
Pinterest
Reddit
Telegram
WhatsApp
Email

When I experimented with red in photography, I discovered my artistic voice — bold, graphic, colorful, and attention-grabbing.

Color is one of the most powerful tools available to photographers. It helps to direct the viewer’s eye, catch their attention, create emotion, move the eye through the composition, and much more. Since the beginning of my creative explorations in photography, I have been attracted to red.

Shooting with Lois, Berlin, July 2023, by Emiliano Vittoriosi

Red as representation

Red is a versatile color that represents strong emotions. It can convey passion or danger, celebration or anger.

For example, in the movie “The Matrix,” the Woman in Red is alluring and irresistible, but also dangerous. The duality and versatility of this color make it a useful tool to express a range of emotions in our work. Historically, red has also been used in religious ceremonies as a color worn by Cardinals, and representing sacrifice.

Color, however, is not uniform from society to society. Over time, a country or culture’s history imbues certain symbolism to different colors. For example, in Chinese culture, red represents luck and happiness and is a traditional color worn by Chinese brides. Within the U.S. stock market, red represents a loss while, in Chinese markets, it means the opposite.

These contradictions and societal representations aside, below are common international meanings for the color red that you can utilize in your photography.

Red can represent:

  • Romance/Passion
  • Anger
  • Danger/Warning
  • Power
  • Heat
  • Celebration/Holiday

Ask yourself: What is the purpose of this photograph? How is the viewer meant to feel? Does adding red help to reinforce my photographic goals?

Red Beyond Emotion

Red isn’t just about creating emotion. It is the incredibly attention-grabbing color that can help a viewer pause to look at your work. When we are all constantly bombarded with images all day long, it is important to use color to its full advantage to catch the viewer’s attention.

Because it is so bold, red can also help to direct the viewer in your composition and give them a focal point in an otherwise busy scene. In other words, you can use it compositionally and emotionally to create visual balance.

Pairing with Red with Other Colors

Although my favorite way to photograph red is to create an entire image about this color (red on red), it can certainly pair with other colors for dramatic effect. Let’s take a look at a couple of examples of color harmonies for how to use red.

Monochromatic

When red is the predominant color in the frame, this is a monochromatic color scheme. Red clothing on a red background is a perfect example of this.

Complementary

Red and green are complementary colors that instantly bring the holiday spirit to mind. You can, of course, use this combo for “Christmas colors.” However, more desaturated or subtle hues help you achieve painterly results without instantly bringing up Christmas vibes.

Analogous

The colors next to each other on the color wheel create an analogous color harmony. These harmonies are more peaceful and unified. When it comes to red, this can include red, yellows, and oranges (a common warm palette), or perhaps red and pink hues together.

Triadic

Three colors equally spaced on the color wheel create a triadic color scheme. Red, yellow, and blue are a common pairing to create bold contrast in an image that is energetic and youthful.

Warm-Cool Contrast

Another great way to create contrast is to pair a warm color against a cooler color. In my gel photography, I often use a red/cyan pairing for dynamic results. 

Where to Add Red in Your Photos

When you introduce red into your imagery, you can do so in a subtle way or go more heavy-handed by creating a monochromatic image where red is prominent throughout. I find that I add red to my photos with these three main approaches:

Background

A red background is a great place to create a bold and attention-grabbing image. I recommend the scarlet red backdrop, which you can see used throughout my portfolio.

Red Light

I find that red light as a lighting gel, or RGB LED lights is a fantastic way to fuse red into your image.  Red light allows you to create dynamic results by adding a kiss of red into the shadows or illuminating the environment with a red backlight for moodier, cinematic results. I usually grab a red light source when there is already red in the scene. This helps to unify the elements, particularly when I want a monochromatic red look (red light, red makeup, red background, etc).

Styling

You can introduce red into your image by how you style your subject. A red hat, a bold red lip, or a dramatic red dress are all great ways to introduce this powerful color into your work. You can also consider adding some red props. Each year, I make a trip to the dollar store to grab Valentine’s Day or Christmas decorations to add a dash of red to my upcoming holiday shoots.

Tips for Capturing Red

It can be a challenge to capture rich, saturated red in your images because there are a few common mistakes that can throw you off! Here are just a few tips to get your reds looking fabulous.

Watch Your White Balance

Never use auto white balance when photographing a lot of red. Our camera sensors read this warmth and instantly cool down the image, making skin tones look off. Use the appropriate white balance preset (flash, daylight, etc) or get a photo of a grey card.

Don’t Over-Light a Red Background

I’ve found that if you add too much light to a red background, you can run into problems. Sometimes too much light (from a strobe or continuous light) can cause the red to look washed out and desaturated. It can lose its richness. Furthermore, if a red is hit by direct sunlight or overexposed, it can begin to go out of gamut. In other words, the sensor can no longer accurately represent the color. I find that I tend to underexpose reds just a bit to help keep their richness.

Adjust HSL

In post-production, you can independently adjust the hue, saturation, and luminance (brightness/lightness) of each color. Shoot RAW and then take the time to mess around with these sliders in Lightroom (or another RAW processor). I’ve found that if I darken the reds or saturate them, they look much more striking.

Conclusion 

I aim to create images that are powerful, eye-catching, and emotive. To do this, I use the full range of my creative toolkit from styling, lighting, posing, and color. The color red in photography has become an important element of my style. It is a tool that you, too, can integrate into your work for impact.

Would you love to do a creative shoot with me in Red? Get in touch and let’s plan your next shooting!

Attracted from Red Shooting? Look at my board on Pinterest where I collect Inspirative Photos.

Facebook
Twitter
LinkedIn
Pinterest
Reddit
Telegram
WhatsApp
Email

contact me today

Ready to elevate your visual brand with professional photography services in Berlin?

Let’s embark on a journey of creativity together. Explore my portfolio, discover my services, and get in touch for a personalized consultation.

Leave me a best comment!

Also check out these posts

5 Ways to Use Event Photography for Your Brand

As in-person corporate events return after COVID restrictions, the need for professional event photography will increase. These photographers not only capture the conduct of the event but also provide quality visuals for marketing, social media engagement, website content, and corporate portraits. They enhance the event’s perception, contribute to memory retention, and increase social media engagement. Notably, images from a single event can meet advertising needs for an entire year, constituting a worthwhile investment.

EVT3275

5 Photography Habits You Need to Unlearn

This text highlights five detrimental photography habits to unlearn. These include: neglecting immediate file backup after shoots; over-relying on camera’s automated settings; prioritizing quantity over quality in editing; reviewing and deleting photos during shoots; and over-reliance on post-production software to fix errors instead of learning proper photography techniques. The author suggests regular backup, manual camera use, quality oriented editing, avoiding in-session photo evaluation and not relying on post-production fixes.